By Guido Ruggiero
This quantity brings jointly one of the most intriguing renaissance students to signify new methods of brooding about the interval and to set a brand new sequence of agendas for Renaissance scholarship.
• Overturns the concept that it was once a interval of ecu cultural triumph and highlights the unfavourable in addition to the optimistic.
• appears to be like on the Renaissance from an international, instead of simply eu, point of view.
• perspectives the Renaissance from views except simply the cultural elite.
• Gender, intercourse, violence, and cultural historical past are built-in into the analysis.
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Extra resources for A Companion to the Worlds of the Renaissance
De Roover, Medici Ban&,p. 28. Perosa, Giovanni Rucellai, p. 121. Bruclzer, Society,p. 27. Panofslzy, “Renaissance,” pp. 201-26. Martines, Powev and hag-ination, ch. 11. Grafton and Jardine, Humanism. Bouwsma, A Usable Past, p. 228. Furbini, Quattvocento, p. 167. Guicciardini, Stovia d’ltalia, I, p. 2. Baxandall, Paintin8 and Expevience, pp. 111-15. Bruclzer, Flovence, pp. 19-21. , Beyond Flovence. Steiner, Tbe New Yovlzev,pp. 76-7. Hale, Encyclopedia, p. 183. Richter, Leonavdo da Vinci,p. 395. Hale, Wav,p.
The social order remained hierarchical; the divisions between elites and masses, between rich and poor were as great in the fifteenth as in the thirteenth century. The economic system, based on the exploitation of the countryside and of foreign markets, did not change significantly from Dante’s time to that of Lorenzo de’ Medici. For the vast majority of rural Italians - poor, illiterate, marginalized there was no Renaissance. This description of the French peasantry in the eighteenth century neatly fits their Italian counterparts three hundred years earlier: “Along rutted lanes, paths through cornfields, and sheep tracks in the mountains, we meet.
It is possible to find Renaissance authors and texts that suggest this liberation from traditional bonds and constraints, and the emergence of a new type of “Renaissance man”: Pic0 della Mirandola’s Omtion on the D&&y of Man is a prime example, as is the career of the sculptor Benvenuto Cellini. ’ The Context The Italian Renaissance did not represent so radical a break with the medieval past; change was more gradual and more spotty, the mix of tradition and innovation more complex than the Swiss historian had imagined.
A Companion to the Worlds of the Renaissance by Guido Ruggiero